We are looking for faculty who would like to teach a one credit course inspired by the theme of the 2020 Festival, 'INFILTRATIONS.' Courses may be inload or as an overload. The FLEFF mini courses take advantage of the week long Festival. This year FLEFF will run March 23-29, 2020.
Faculty from all disciplines are invited to suggest courses. Courses begin after Spring break (Block II) and may be offered at traditional times, MWF or TTh or may be weekend courses or even be scheduled to meet one night a week. Students in the FLEFF mini courses will attend several FLEFF events and film screenings that may connect to the material covered in the FLEFF courses.
Contact Warren Schlesinger, FLEFF Mini Course Coordinator, for more information or to suggest a course (warren@ithaca.edu or 4-3951). Visit wwww.ithaca.edu/fleff for more information about FLEFF.
Previous FLEFF Courses (Based on last year's theme of DISRUPTIONS)
FLEFF: Environmental Disruptions - 42876 - GCOM 10110 - 01
Images of massive human migration have become more frequent recently, with the latest example found in Ai Wei Wei’s documentary Human Flow (2017). While this film addresses both political and environmental refugees, the course will focus on environmental refugees to examine the impact of climate change. Moreover, sudden natural disasters—such as earthquakes and volcanic eruptions—and gradual environmental changes—such as coastal erosion, rising sea-level and desertification—affect the most vulnerable populations for whom the option to migrate is not readily available. In this way, students will compare documentary films on climate change with activist, government, and scientific discourses to understand the complex nexus of the environment and migration. Sueyoung Park-Primiano Block ll , 1 credit, M 4-6:00 pm Friends Hall 309
FLEFF: Disrupting Genres - 42878 - GCOM 10113 - 01
This course explores written, visual, and oral “texts” that cross boundaries of genre and media. Beginning with genres such as creative nonfiction, docudrama, hip hop, podcasts, and spoken word (to name but a few) that were themselves disruptions of the traditional not so long ago, we will move on to examine current examples of images, sounds, and words that call into question the very concept of genre.Amy Quan Block II, 1 credit, MW at 4:00 - 5:15 Smiddy 113
FLEFF: Disruptive Narratives and Rhetorical Landmines - 42877 - GCOM 10111 - 01
Why do audiences make some films popular and not others? What does that tell us about the kinds of narratives that resonate with mass audiences? How do some films convey messages that function as cultural landmines and others have underlying messages that shift digital, cultural, economic, ideological, social, environmental, and political landscapes? In this class, we discuss how filmmakers function as dominant storytellers through their uses of narratives, words, images and sounds to rhetorically engage current debates and issues. As such, we consider the methods of rhetorical criticism to help uncover their arguments and implications. In this course student will write reflections on required readings and films and attend FLEFF screenings. Chris House Block II, 1 credit, W 4-6:30 PM Friends Hall 309
FLEFF: Disruption, Danger and Opportunity - 42953 - GCOM 10112 - 01
This course will delve into issues to help students learn how in disruption there is an opportunity for human relationships to improve/evolve, and what it is about disruption that leads to failure. The Blasey-Ford and Kavanaugh hearings will be discussed along with other 'disrupting' events to prepare students for critically viewing films screened during the Festival. Jerry Mirskin Block II, 1 credit, W 6:50-9:30 pm 3/20 - 4/17
FLEFF: Whitewashing the Overdose Epidemic - Disrupting Racial Assumptions - 42875 - GCOM 10108
The current overdose epidemic in the United States is presented in the media as a new development in rural America that overwhelmingly impacts white people. Federal agencies and community groups have hastened to frame substance users as unwitting passive victims of an overzealous and unscrupulous medical industry, shifting from previous cultural assumptions that positioned other users, mostly urban and black, as junkies and criminals who are better off dead or in jail. This course intends to disrupt these perspectives. It will question how the dominant narrative presents and racializes the overdose epidemic. We will look at stories, data and films, and interview guests to unpack what is happening to the junkies, criminals, and victims in this epidemic.Stewart Auyash, Block II, T/Th 4-5:15, 1 credit Hill Center G03
https://www.ithaca.edu/intercom/article.php/2019092920530622